Musings on guitars, guitarists, guitar styles and approaches, technical matters and guitar design by a professional guitarist with a Ph.D in ethnomusicology.
Also covering electric bass, lap and pedal steel guitar. And what the hell, banjo.
I've been using a looper pedal, specifically the blue two-pedal Digitech Jam Man, for about six months now. It's pretty limitless what you can do with this pedal, at least in theory. I'm still getting used to the tone degeneration that is inherent in surrendering your guitar signal to a 44.1 kHz, 16 bit digital converter. And the looper, probably to my ultimate benefit, exposes certain weaknesses in my playing. But somehow, its basic ability to record and play back, in an infinite loop if I want, anything I play into it on the fly keeps me coming back.
What this magical technology confers on the player is the capability of creating and controlling anything from a simple rhythm guitar part to a multisectioned guitorchestra. Really, any sound could be included in the loop - the looper includes a second input (XLR instead of quarter-inch) and onboard mixer. I was making loops last night where I overdubbed harmony vocal pads a la the Beach Boys, just using my pedalboard and an amp.
The archetypal looping god is, of course, Robert Fripp, whose Frippertronics made live guitar looping almost a household word in the eighties. Here's Fripp himself, complete with pompous spoken introduction, demonstrating Frippertronics:
He does sound great, though. Nobody rocks a black Les Paul Custom like RF. These days Fripp has abandoned the electronics for a kind of human Frippertronics, his army of Guitar Craft students.
Another variation on late-career solipsism is Pat Metheny's Orchestrion project, currently on tour in the U.S.
Guitar Player Magazine has a "Looping Pedal Roundup!" posted where you can compare the different ones if you're in the market. And there's always the Harmony Central user reviews if you're hardcore. My experience with the Digitech device has been mostly positive. The first time I used it live, I stepped on the left pedal and it came off and clattered to the stage. It snapped right back on, and it never happened again, but I always have that traumatic experience in the back of my mind when I use it now. But I use it all the time when I play solo, and though I'm still rather unambitious with it in front of actual people, it's really my most fun gadget.
I'm really impressed by Pat Metheny's Orchestrion project. That is incredible how the entire "orchestration" depends on everything Pat does with his guitar. Amazing.
I've been thinking a lot about looping pedals lately, inspired by Keller Williams, David Gans, as well as a guy here in the UK Matt Stevens (you can d'load his album Echoes for pay-what-you-like.) I'm still unsure which pedal to go for though. Nice piece - keep it up!
INTERVIEW: Richie Kotzen
-
Richie Kotzen is one of the most prolific musicians in rock. This is a guy
who recorded an album of 50 songs to celebrate his 50th birthday, an artist
wh...
Danelectro Guitars - A Deep Dive
-
*Nathan Daniel*Nathan (Nat) Daniel was an immigrant to the United States.
As a child, his parents fled from Lithuania to the United States to escape
the ...
Make Scales More Fun!
-
*Mike Olekshy – GuitarTricks.com*
Tired of the same stock scale patterns you’ve been practicing? These simple
tweaks can transform the sound of well known ...
Scott Lentz Interview
-
Here is a really great interview with Soctt Lenzt Sr & Scott Lentz Jr on
guitar.com. Lentz guitars are among the very best on the planet. Click
below to ...
Guitar Tone - Why Everything Matters
-
"Fracturecaster" by Phil Sylvester of Pheo Guitars, Portland, OR
*CLICK HERE* for more info.
*October, 27, 2016 *
Guitar Tone Wood Factor (Even Solidbod...
Long gap from blogging many projects!
-
Has it been that long? Well I have had to stop, ok slow the rate of guitars
being built but lots of other projects have happened in the mean time. 1:
Two V...
Rickenbacker 360 Profile
-
Learn all about the guitar that was introduced to the guitar world via
George Harrison on the 1964 Beatles album *A Hard Day's Night*. Features
high-resolu...
Tampa Red: The Guitar Wizard
-
During the Roaring Twenties, a dazzling array of slide players made it onto
records. The first was Sylvester Weaver, a Kentucky bluesman who recorded
1923...
I'm really impressed by Pat Metheny's Orchestrion project. That is incredible how the entire "orchestration" depends on everything Pat does with his guitar. Amazing.
ReplyDeleteI like that the instruments are acoustic ones - it really changes up the usual sequenced, synthesized one-man band deal.
ReplyDeleteI've been thinking a lot about looping pedals lately, inspired by Keller Williams, David Gans, as well as a guy here in the UK Matt Stevens (you can d'load his album Echoes for pay-what-you-like.) I'm still unsure which pedal to go for though.
ReplyDeleteNice piece - keep it up!
Best thing I've seen on youtube for a long while!
ReplyDeleteIt must be nice to have that much space!